This is the place for theory informed art history. Theōrya is about theory but it does not refuse art history since the discourse is supported in some kind of theory. From a long time ago, art history looks for tools outside its own field. Semiotics, Psychology, Iconology, Feminism, Marxism, Rhetorics, Poststructuralis, and so on, are all welcome to deal with historical art interpretation and can be published in this section, regardless of the historical period it addresses.